Publications

Relational Sound: On the Aesthetics of SoundArt [book project in progress]

‘SoundArt and Performativity' (2011) in A. Brown ed. Sound Musicianship: Understanding the Crafts of Music. Cambridge Scholars Publishing, Newcastle upon Tyne. [publication early 2012]

‘The SoundArt of Jon Rose' (2011) in Collisions, Jon Rose CD-box set, ReR Megacorp, London. [publication 2011]

‘ Art On & Off Air. The Affinity of Radio & Sound Art & its Future Prospects' ( 2010 ). Swedish translation of paper given at RadioArt Seminar: Radio: Past, Present and Future. Stockholm. Transl. Magnus Bunnskog, Nutida Musik, ISCM Sweden, 2011.

‘Synergies - Noise in Sound Art' (2009) for M Brandur. ed., Vom Ton zum Geräusch – Musikwissenschaft und Materialbegriff im 20./21. Jahrhundert. [publication pending]

‘Don't look back' (2009) in M Karikis. ed. Morphica. Sub Rosa, Brussels.
www.kerstenglandien.com

‘ … the farthest extension of life as theatre: on the work of Arndt von Diepenbroick' ( 2008) [publication pending]

‘Art on and off Air. Post Scriptum 2007: Mostly Europe' (2007) [unpublished]

‘Die Kuh singt – oder - Die Liebe zum Authentischen' (2005) in H Jahn. ed. Babylon Circus. Verlag für moderne Kunst, Nürnberg.

‘En Route - A monographic Study of the Œuvre of Heiner Goebbels' (2000/ 2004)
http://www.heinergoebbels.com/index2.htm & www.kerstenglandien.com

'Die Musiktheaterkonzeption Heiner Goebbels‘ - Schwarz auf Weiss und Surrogate Cities' (2004) in F Reininghaus & K Schneider. eds. Handbuch Experimentelles Musik- und Tanztheater, Vol.7. Laaber Verlag, Laaber.

‘Anthologie Heiner Goebbels' Review of Heiner Goebbels – Komposition als Inszenierung. W Sandner. ed. (2003) in Positionen 55, Mai 03, p. 55.

Malte Lüders/ Lutz Glandien: Sound Installations – Sound Architecture. (2002) Elsenstudio, Berlin.

‘Art on Air. A Profile of New RadioArt' (2000) in S Emmerson. ed. Music, Electronic Media and Culture . Ashgate, Aldershot/ Burlington USA/ Singapore/ Sidney.
www.kerstenglandien.com

‘Heiner Goebbels - Analysis of his Œuvre' (2000) in H-W Heister & W-W Sparrer. eds. Komponisten der Gegenwart. edition text+kritik, Munich. [unpublished]

‘Gegen den Strich: Eisler, wiederentdeckt' (1998) in Neue Zeitschrift für Musik, No. 6, pp. 18-22.

‘Against the Grain - Eisler re-discovered' (1998) in M Köster. ed. Hanns Eisler – ‘s müßt dem Himmel Höllenangst werden . Archive zur Musik des 20. Jahrhunderts. Bd.3. Stiftung Archive der Akademie der Künste. Wolke Verlag, Hofheim.

‘Music Machines - Spirits raised by us' (1997) in K Glandien. Catalogue AngelicA – 7 o edizione. CIMES – Università di Bologna & Pierrot Lunaire, Bologna.

Catalogue AngelicA – 7 o edizione (1997) CIMES – Università di Bologna & Pierrot Lunaire, Bologna.

‘Decentral Station: Interview with Heiner Goebbels' (1997) in Resonance . Vol 6 (1), pp. 15-17.

‘A wide field: Jamming in London' (1997) in Jazz Live. Magazin für zeitgenössische Musik.

‘Technology Effects in New Music' (1996) for Positionen [unpublished].

‘Sonambiente - Sound Art Festival, Berlin, Summer '96' (1996) in Resonance. Vol 5 (1), pp. 48-51. Reprint in Noise Gate 1997. www.kerstenglandien.com

‘Too long ignored - too bad' (1995) in RéR Unfiled Magazine 0402, pp. 76-77. Reprinted in Resonance Magazine. Vol 4 (1), 1995, pp. 45/47.

‘Art Bridge between London-Southwark and Berlin-Prenzlauer Berg. Report on a Regional Project' (1995) in Ph Brady & I Wallace. eds. German Monitor: Prenzlauer Berg – Bohemia in East Berlin?. Rodopi, Amsterdam – Atlanta, GA.

‘The Technology Effect or The World of Differences. Aesthetic Reflections on the Influence of New Technology on Music' (1994) in GI Prisma. No. 2, pp. 66-69.

‘Improvisation Strategies. Genre-mix on the 3. Festival of Experimental Music London' (1994) in Jazzthetik. No. 9, pp. 8-10.

‘...like a Phoenix from the Ashes... The London Musician's Collective in Upheaval' (1992) in Jazzthetik. No. 9, pp. 24-27.

Reviews for Radical Philosophy (1992)

‘The Philosophical Concept of Appropriation in Aesthetics and Literary Theory' (1990) for P H Feist, K Faustmann & M Franz. eds. On the Function of Appropriation in Art . Akademie-Verlag, Berlin. [unpublished]

‘Methodological Problems of Analyzing the Conditions of Artistic Work. Reflections on ‘Beatrix Borchard's Book: Robert Schumann and Clara Wieck. Conditions of Artistic Work in the First Half of the Nineteenth Century' (1989) in Beiträge zur Musikwissenschaft. No. 1, pp.69-70

‘Music and Politics. Music-conceptual Problems of the West European Rock Avant-garde' (1988) in Beiträge zur Musikwissenschaft. No. 4, pp. 273-284.

‘The Movement of Song Theatre in the GDR' (1988) for K Niemann. ed. The History of Music in the GDR 1970-88. Verlag Neue Musik, Berlin. [unpublished]

‘Aesthetic Design of the Environment. Reflections on H. Letsch's Book: Pleading for a Beautiful Environment' (1986) in Weimarer Beiträge, pp. 1219-1222.

‘On the Relationship between Work-activity and Individual Development' (1984) [unpublished]